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The editing process is a vital part of virtually every form of media. Primarily associated with texts and written language, editing is equally essential, if less examined, in regard to visual media. Editing the Image looks at the editing of visual media as both a series of technical exercises and as an allegory. It touches on concerns that are crucial to the history of art and visual culture, as well as those media and institutions that produce and disseminate the visual arts in our society.Featuring contributors from a wide range of disciplines, Editing the Image considers editing in the context of academic journals, art-historical texts, illustrated books, museum displays, and exhibitions. It is an inclusive analysis of visual forms commonly associated with the process of editing - photography, film, and video - as well as some that are not intrinsically linked to editing - painting, sculpture, and architecture. In addition to wide-ranging academic considerations, this collection includes discussions of moving picture media and studio art by practitioners, giving the study a practical focus. For anyone who has considered the implications of the editorial process, this work will be of significant interest.
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Art criticism is spurned by universities, but widely produced and read. It is seldom theorized and its history has hardly been investigated. The State of Art Criticism presents an international conversation among art historians and critics that considers the relation between criticism and art history and poses the question of whether criticism may become a university subject. Contributors include Dave Hickey, James Panero, Stephen Melville, Lynne Cook, Michael Newman, Whitney Davis, Irit Rogoff, Guy Brett and Boris Groys.
Aesthetics of art --- Art --- Art criticism --- Historiography --- Art - Historiography - Congresses --- Art criticism - Congresses
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Art contemporain --- Hedendaagse kunst --- Art --- 20th century --- Belgium --- Art [Modern ] --- Contemporary art --- 1945 --- -Art --- Belgique --- 1945-
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Feminism Reframed: Reflections on Art and Difference addresses the on-going dialogue between feminism, art history and visual culture from contemporary scholarly perspectives. Over the past thirty years, the critical interventions of feminist art historians in the academy, the press and the art world have not only politicised and transformed the themes, methods and conceptual tools of art history, but have also contributed to the emergence of new interdisciplinary areas of investigation, incl...
Feminism and art. --- Feminist art criticism. --- Art criticism --- Feminist criticism --- Art and feminism --- Art
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In an age where art history's questions are now expected to receive answers, Richard Shiff presents a challenging alternative. In this essential new addition to James Elkins's series Theories of Modernism and Postmodernism in the Visual Arts, Richard Shiff embraces doubt as a critical tool and asks how particular histories of art have come to be. Shiff's turn to doubt is not a retreat to relativism, but rather an insistence on clear thinking about art. In particular, Shiff takes issue with the style of self-referential art writing seemingly 'licensed' by Roland Barthes. With an introduction by
Modernism (Art) --- Art, American --- Art criticism. --- Greenberg, Clement,
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Véritable réaction au néo-classicisme envahissant le XIXe siècle, le romantisme marqua une réelle fracture intellectuelle. Rencontré dans les textes de Victor Hugo ou de Lord Byron, ce courant s'exprima en peinture dans la touche d'Eugène Delacroix, de Caspar David Friedrich ou de William Blake. En sculpture, François Rude montra le chemin de cette nouvelle liberté artistique, dotant ses réalisations de mouvements et d'expressions qui étaient jusque-là inconnus.Retraçant les différentes étapes de son évolution, ce livre propose d'étudier les différents aspects du mouvement romantique. Le lecte
Romanticism in art. --- Romanticism in art --- Romanticism (Art) --- Idealism in art --- Naturalism in art --- Realism in art
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Romanticism was a reaction against the Neoclassicism that invaded the nineteenth century, and marked a veritable intellectual rupture. Found in the writings of Victor Hugo and Lord Byron among others, its ideas are expressed in painting by Eugène Delacroix, Caspar David Friedrich and William Blake. In sculpture, François Rude indicated the direction this new artistic freedom would take, endowing his work with a movement and expression never previously seen.By retracing the different stages of its evolution, this book offers a study of the different aspects of the Romantic movement. Thanks to a
Romanticism in art. --- Romanticism in art --- Romanticism (Art) --- Idealism in art --- Naturalism in art --- Realism in art
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Including both traditional and contemporary arts, this book introduces the rich artistic traditions of the Pacific island chains of Polynesia and Micronesia, traditions that have had a considerable impact on western art in the twentieth century through the influence of artists such as Gauguin.
Art, Polynesian. --- Art, Melanesian. --- Melanesian art --- Polynesian art --- Art, Micronesian --- Art, Polynesian --- Micronesian art --- Folklore --- Art --- ethnology --- Micronesian [culture or style] --- Polynesian --- Polynesia --- Micronesia [country]
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Dealing not only with architecture, sculpture, and painting, but also with bronze and ceramics, this text offers a complete panorama of Chinese arts and civilisation. In his text, the author Bushell stresses the importance of knowing the society to understand the arts.
Art, Chinese. --- Decorative arts --- Chinese art
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The fourteen essays in this book develop a conception of human culture, which is humane and traditionalist. Focusing particularly on notions of beauty and the aesthetic, it sees within our culture intimations of the transcendent, and in two essays the nature of religion is directly addressed. A number of essays also explore the relation between politics and tradition....
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